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Category: Places – Travelling Articles

  • Museu de Cera, Ramblas

    Miami is a major city located on Atlantic coast in southeastern Florida and the county seat Miami Dade County in Florida. Miami. Miami is a major center and leader in finance, commerce, culture, media, entertainment, the arts and the International trade.

    Chinese art, and in particular, Chinese painting is greatly treasured around the globe. Chinese painting can be retraced to as far back as six thousand years ago in the Neolithic Age when the Chinese have started using brushes in their paintings. Chinese art dates back even sooner than that.
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    According to subject matter, Chinese paintings can be classified as landscapes, character paintings and flower-and-bird paintings. In traditional Chinese painting, Chinese landscape painting embodies a major category, depicting nature, especially mountains and bodies of water. Landscapes have customarily been the choice of the Chinese because they manifest the poetry characteristic in nature. Accordingly, many esteemed paintings are landscapes.

    The most popularly known form of Chinese painting is “Water-ink” painting, where water-ink is the medium. Some of the basic things required for the Chinese painting include: paper, brush, ink or ink stick, ink stone, and color.

    1. Brush: The Chinese brush is a mandatory tool for Chinese painting. The brush should be sturdy and pliable. Two types of brushes are used. The more delicate brush is created from white sheep hair. This brush should be soaked first, and then dried to prevent curling. The second one is made from fox or deer sable fibers, which are very durable, and is inclined to paint better. The procedure the brush is used depends on the varied features of brush strokes one wants to obtain, such as weight, lightness, gracefulness, ruggedness, firmness, and fullness. Various forms of shades are applied to impart space, texture, or depth.
    2. Ink Stick: There are three types of Ink Stick: resin soot, lacquer soot, and tung-oil soot. Of the three, tung-oil soot is the most commonly used. Otherwise, Chinese ink is best if ink stick or ink stone are ineffectual.
    3. Paper: The most generally used paper is Xuan paper, which is fabricated of sandalwood bark. This is exceptionally water retentive, so the color or ink disperses the moment the brush stroke is put down. The second most well-known is Mian paper.
    4. Color: The most former Chinese paintings used Mo, a type of natural ink, to produce monochromatic representations of nature or day-to-day life. Made of pine soot, mo is combined with water to get unique shades for conveying appropriate layers or color in a painting.

    Chinese painting is called shui-mo-hua. Shui-mo is the combination of shui (water) and mo. There are two styles of Chinese painting. They are gong-bi or detailed style, and xie-yi or freehand style. The second is the most common, not only since the objects are depicted with just a few strokes, but likewise because shapes and sprites are drawn by uncomplicated curves and natural ink. Many ancient poets and students used xie-yi paintings to give tongue to their religious anguish.

  • Emilys Song An Epic Musical Journey Straight To Your Heart!

    Organizing a vacation to the West to see the very best theater productions and hot Los Angeles musicals? Being the biggest city of California, Los Angeles makes it easy for everyone to discover entertainment.

    Edgar Allan Poe, author of “Annabel Lee” and “The Fall of the House of Usher”, is easily recognized as one of the foremost masters of horror and the macabre. His works have inspired terror and anxiety in many individuals, primarily through the use of heavy psychological tones, as opposed to the gore and blood themes used and abused by writers of his time. Poes collected works easily counts as some of the most frightening material ever written, especially now, in an age where horror movies are relegated to two hours of bloodshed and senseless violence, lacking any true horror and relying solely on shock value to appear “scary.” Poe also stands out as being among the few who can make even the most mundane things seem utterly terrifying, a feat emulated by Stephen King and several Japanese horror authors, but never truly duplicated.
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    In a completely different vein of horror from his predecessors, and arguably creating a sub-genre of horror through his works, H. P. Lovecraft also stands out. His works, while lacking in humanity, are difficult to see as anything but terrifying, particularly because of the apparent lack of humanity in them. In contrast to writers of previous generations, Lovecraft focused more on the truly monstrous, ignoring the human element that most horror writers tended to insert into their works since the days of the Gothic era. His stories were littered with monsters that knew neither morality nor mercy, seeing humanity as insignificant insects and, in Lovecrafts malignant world of ancient races and Elder Gods, humanity was insignificant. He also brought back something from the Gothic horror era, showing his readers that knowledge, even just a little knowledge, can lead to the most terrifying of discoveries. This is perhaps best exemplified by the so-called “Cthulhu Mythos,” a collection of stories that centered around Lovecrafts anti-mythological beings.

    Frankenstein

    1. Among the most enduring horror classics in the world is that of Shelleys “Frankenstein,” which combines the elements of horror with the intrinsic questions that plagued morality and philosophy at the time.
    2. In some ways, the story is one that puts a new spin on the old ghost story, in that the “ghost” is inevitably caused by the actions of mortal men who meddled in things they were not meant to.
    3. The story, aside from being a genuine tale of terror, also took on the role of a lesson in morality and the limits to just how far medical science could go.
    4. Prolonging life is one thing, but bringing back the dead is another thing entirely, which is one of the subtle messages of the novel.
    5. The underlying question of whether or not Frankensteins creature is the monster, or if it is Frankenstein himself, also contributes to making the story a memorable, chilling tale.

    However, very few stories can truly stand up against the pure terror and the subtle anxiety and dread caused by Bram Stokers infamous novel, “Dracula.” The novel is a hallmark of the Gothic horror era, presenting a villain of potentially epic scope in the guise of a remarkable gentleman and nobleman. It deviated from other vampire stories of the time in that the vampire, Dracula, was not monstrous in appearance. He looked every inch a master and nobleman, establishing the “lord of the night” archetype that would be a stock image of vampire characters in literature for centuries to come. It also had all the elements necessary to both frighten readers and keep them coming back for more, marking it as the most enduring horror novel in history.